Tag Archives: Holiday Cards

The Laminated Series: Gifts, Remembered

This little run of cards felt like it needed to be made.

I pulled out the laminator to laminate a document, and while I had it out, I decided to laminate a piece of florist paper I’d been saving. That one small experiment led to another, and soon I was looking through the house for more papers worth preserving.

Each piece ultimately began as part of a gift, something already wrapped with intention before I ever touched it. As I worked, I found myself asking a simple question: what if the wrapping becomes the keepsake I could gift forward?

Card One: Gold from a Pear

The gold foil background on the first card comes from the wrapping on a pear my dad sent me because he thought I needed more Vitamin C as I had been sick. It was one of those unexpected gifts that arrives without fanfare and somehow means more for it.

I laminated the gold to preserve the crinkle and light-catching texture. I then die-cut a simple evergreen silhouette from deep green cardstock and used some gold gilding flakes (I was inspired by a holiday card someone had sent us!). The gold peeks through the tree like light caught in branches, irregular and organic. No embellishments, no sentiment on the front. The material carries the meaning.

Card Two: Florals from a Gift Shop Bouquet

The second card uses a floral paper from a gift shop bouquet my partner gave me, soft pinks and muted greens printed on thin tissue. Laminated, the paper gains just enough weight to stand on its own without losing its delicacy.

I kept this one minimal: a winter white Stamp Market botanical die-cut placed slightly off-center, with a few clear embellishments scattered like dew. I’m not sure I nailed the combo of the die cut with the paper, but I still like it. And I got to use this die cut that I got on sale a few years which has sat patiently in my stash waiting for me to notice it!

Card Three: Green from a Friend

The final card uses green tissue paper from a present given by a dear friend. The paper had a subtle, mottled texture that really came alive once laminated. I let that surface be the star.

A white botanical die-cut anchors the lower corner, with a narrow strip of gold at the edge as a quiet nod back to the other cards in the series. I originally had this as an A2 card and I had replaced the card cover front with this laminated panel instead, but it ended about an inch short of the panel. After looking at it for a day or two, I decided what it really wanted to be was a square card so the panel lined up. It’s probably my favorite, though I always say that about the last card I finish.

Hot Tip: Laminating Delicate Pieces

When laminating smaller or irregular pieces, I learned the hard way that they need a little help going through the machine. I now tuck a narrow strip of cardstock along the leading edge inside the laminating pouch. That extra bit of structure keeps everything feeding straight and prevents the pouch from getting pulled in or crunched.

Ask me how I know. Twice. Including one memorable moment that involved taking the laminator apart to rescue a stuck pouch.

A small scrap of cardstock is much easier to deal with than a dismantled machine.

Why Laminate?

Laminating these papers did more than protect them. It gave them permission to be used.

So many gift papers feel “too special” to cut into. Lamination changes that relationship. Once laminated, these fragile, found papers could actually enter my card-making practice instead of hovering on the sidelines, saved but unused. The lamination stabilized them, gave them structure, and made them workable alongside cardstock and dies.

This isn’t about perfection or symmetry. It’s about honoring where the paper came from while letting it move forward into something new. These pieces still carry their original stories, but now they’re doing some work.

This series is also a quiet exercise in using what I already have. Not pristine supplies, not newly purchased materials, but found objects that passed briefly through my hands and could easily have been discarded. Laminating them allowed me to extend their life and purpose in a way that fits how I actually make cards.

It’s a reminder that creativity doesn’t always begin with a blank sheet. Sometimes it begins with paying attention to what’s already there.

And sometimes, the wrapping really is the gift.

Merry and Bright and All Things Light

Sometimes I make a holiday card with a particular person in mind. This one is for two friends who do important work in a counseling and advocacy setting that supports queer and trans folx and their families. What they offer is care, acceptance, and a place where people can show up as themselves. In their honor, I wanted to make a queer Christmas card that still felt seasonal.

I reached into my stash of pre-cut rainbow arcs from The Stamp Market Little Rainbow Die. They are leftovers from other projects, all in soft sherbet shades, and the palette came together almost on its own. It is not a traditional rainbow, but it felt right for this card, a little gentle and a little hopeful.

For the sentiment, I stamped Merry and Bright from Simon Says Stamp Simple Holiday Greetings in a clear, bright red. I tried adding a small heart embellishment, but it pushed the design in a direction that did not fit the intention. Instead, I added a light touch of Wink of Stella on the red arc. It gives just a hint of shimmer when the card moves in the light.

Inside I stamped Love and Joy. That felt like the message I wanted to send to them this season.

I love this card.

A Botanical Holiday Tag Kit (Made From My Stash- Mostly)

This year, instead of buying a Thanksgiving host gift, I decided to make one. I’ve been thinking a lot about using what I already have, and with so many stamps, dies, and bits of ribbon tucked away in my craft room, it felt like the right moment to create something special without starting from scratch. To be honest, the entire project was sparked by a tiny new addition to my stash — a bag of miniature wooden spools I ordered from Amazon. I was so tickled by them that I knew immediately they needed to be part of a gift. Around the same time, I watched a Stamp Market video about putting together little curated boxes, and that idea stuck with me. Once I lined up those little spools wrapped in twine and ribbon, the whole concept for a holiday tag kit began to take shape.

It turned into one of the most joyful creative afternoons I’ve had in a long time.

Hand-Stamped Botanical Panels

I started by pulling out Paper Tray Ink’s Floral Fantasy: Christmas stamp set and stamped three different botanical panels in soft greens, a blush pink, and a warm Cashmere brown. I forgot how much I love building my own patterned paper, especially since I seriously expanded my ink collection this past year. These panels ended up becoming the foundation for the tags.

The Tags

For the actual tags, I used The Stamp Market’s Circle Tags Die — it’s the one with forty-nine different shapes (well, it feels like it), and every time I use it I wonder why on earth I have forty-nine tag shapes… but then I fall in love with it all over again.

I cut both patterned and solid tags and added reinforcers (my AI muse told me I should take the extra step and do this even though it is so tedious!). I also stamped a simple “to/from” on the backs.

It already felt like a little collection.

Curating the Accessories

Then came the fun part: building out the little compartments in the box.

In the lower left, I added sprigs cut from two sets:
– The Stamp Market – Sprigs (the clean white and green botanicals)
– Frantic Stamper – Wreath and Swag Components (smaller greenery to tuck in)

I wrapped tiny wooden spools with baker’s twine and fancy satin ribbon from May Arts and nestled them into their own section lined with kraft crinkle shred. They look like miniature treasures.

I made two washi sample cards using a Stamp Market tag that I covered in packing tape first and then die cut. My only hot tip is to put a piece of copy paper underneath it when you die cut as it will cut out more cleanly. These add just the right amount of shine.

I also created a tiny packet of holographic stars and taped it to the inside of the lid, which adds a little sparkle when the box opens.

Finally, I tucked in a few foiled sentiment strips that I added tape to on the back so they could be easily used from my stash — “Comfort & Joy,” “Happy Christmas,” “Cheer,” and “Season.” They fit the botanical palette beautifully.

The Final Touches

For the top of the box, I added a single pine branch cut from The Greetery’s Big Branches: Pine die. It’s simple, clean, and matches the whole tone of the kit.

A Meaningful, Handmade Gift

All told, it took me about two and a half hours, some of that spent making decisions, but it’s exactly the kind of gift I love to give. Something useful. Something handmade. Something beautiful. Something that reflects the time and thought that went into it.

I’m so happy with how this turned out, and I already want to make another.

Supplies Used

Stamps
• Paper Tray Ink – Floral Fantasy: Christmas (for the stamped botanical panels)

Dies
• The Stamp Market – Circle Tags Die
• The Greetery – Big Branches: Pine Die (the sprig on the outside of the box)
• The Stamp Market – Sprigs Die (white and green botanical sprigs)
• Frantic Stamper – Wreath and Swag Components (additional greenery pieces)

Embellishments & Accessories
• Mini wooden spools (½ inch, Amazon)
• Assorted baker’s twine (cream, brown, red/white stripe)
• The Stamp Market – Foiled Tree Washi
• The Stamp Market – Pink “Merry Christmas” Washi
• Small holographic stars (from my stash)
• Narrow foil sentiment strips (from my stash)

Packaging
• Kraft crinkle shred
• Printed masking tape
• Small glassine or paper envelope (for the holographic stars)

Creativity From What’s Already Here: A Three-Card Holiday Study

I’ve been watching Cathy Zielske’s recent videos featuring her new Tree Plate wafer die, and it immediately caught my eye. It’s beautifully simple: a crisp 3×3 grid of tree silhouettes that feels modern and elegant. If I didn’t already own a similar die, I would buy hers in a heartbeat.

But I do have something close. The Pretty Pink Posh Tree Cover Plate cuts the same grid of nine trees and adds stitched details around each opening. The layouts aren’t identical, but the graphic repetition is similar enough that it inspired me to try a small creative experiment.

Could I make a series of cards using only what I already own?
And could I turn one die-cut into multiple distinct designs? That experiment became this small three-card study.

I also used the older PaperTrey Ink set, Tree Tops Glisten, for the inside sentiments on all three cards. It brought a subtle consistency to the grouping and matched the style of Cathy Z’s Holiday Trio One (which I have added to my Simon Says Stamp wishlist!).

Card One: Monochrome Green

For this card, I went monochromatic. I doubled each tree die-cut to give a little dimension and placed them on a deep green card base. A single small gold star sits over the middle tree, and a small gold embossed “peace” sentiment sits below. This one feels calm, modern, and a bit boutique.

Card Two: Playful Grid

For the second card, I used the nine tree die-cuts arranged on a white panel. Each tree is decorated with rainbow glitter dots in pink, purple, blue, and yellow. I love grid cards and Cathy Z really nailed this design with the colorful decorations on the tree. A simple sentiment strip reading “love • peace • joy” finishes it.

Card Three: Snowy Shaker

For the final card, I used the Pretty Pink Posh panel as a shaker as inspired by Cathy Z. I backed each tree opening with acetate and created small shaker windows filled with iridescent snowflake pieces. Just a light amount so the trees remain visible. I added a few tiny gold stars, which bring a little glisten and tie back to the interior sentiment. I left the front sentiment-free and stamped “Where the treetops glisten” on the inside. With the drifting snow, it felt right.

A quiet acknowledgment to May Calico, my creative muse here in this space powered by ChatGPT, for the idea of adding a few tiny gold stars to the shaker card. That little suggestion made a big difference.

Creativity From What’s Already Here

What I appreciated most about this project was the chance to work from my own collection and see how far one idea could go. One die-cut panel, a handful of leftover trees, and three different cards. Sometimes a smaller set of choices creates more creativity than new supplies ever could.

When I finished these three cards, I had three extra tree die-cuts left on my desk. Instead of sweeping them into my scraps container, I set them aside. They’re nudging me toward the next small project. Since I recently made The Stamp Market’s 4×6×1 divided tag box, maybe these remaining trees will end up as part of a tag set.

I’m grateful, too, for the creators whose work inspired me in the first place. Cathy Zielske’s Tree Plate die and The Stamp Market’s holiday videos were the push that sent me back into my own materials. Their openness and enthusiasm often become the spark that helps me see what I can make next with what’s already here.

Snowfall Collection

I was recently asked to make a set of cards for a fundraiser auction for our local community center, which absolutely tickled me. Sometimes you don’t really know if your work is good enough, or if what you’re making resonates beyond your craft table. So the request felt like a small, affirming nudge to keep going.

Lately, I’ve been experimenting with sets of cards — not identical designs, but related ones that explore a single idea from different angles. It’s less about telling a story and more about finding new ways to use what I already have on hand. Still, there’s a creative challenge in building cohesion across several pieces while letting each one stand on its own.

For this winter set, the framework was snowflakes. I decided to make five cards, beginning with one snowflake and adding another with each design — one, two, three, four, five — a gentle progression that builds like a snowfall.

I kept everything white on white so the focus would be on texture and light. I cut a flurry of snowflakes using the Lacey Snowflakes dies from The Stamp Market, sprayed them with a soft shimmer, and added clear sequins to the centers where a little sparkle felt right. The snowflakes are both delicate and substantial, the kind of classic design that never gets old. (And honestly, you can never have too many snowflake dies.) I paired them with the Modern Teardrops Frames from Simon Says Stamp, which added a quiet sense of structure to balance the soft shapes of the flakes.

Inside, I used sentiments from a treasured older Poppystamps Wintertime Sentiments set — thoughtful winter messages like Warm Winter Wishes and Time to Sparkle. They suit the quiet simplicity of the designs perfectly.

Here’s to more snowflakes, more small acts of making, and the quiet joy they bring.

The Scraps That Waited All Year

The Scraps That Waited All Year

Some scraps are too small to be useful, and too full of potential to throw away.

I keep two scrap piles in my craft room. One for the bigger pieces that can become backgrounds or layers. And one for the tiny scraps, the kind most people would sweep into the bin. Mine live in a small container near my desk, a jumble of cardstock corners, partial die cuts, and skinny slivers of color.

A year and a half ago, on vacation in Maine, I packed my tiny scrap stash and a handful of small dies. No stamps, no adhesives, no embellishments, just my die cutting machine and the quiet rhythm of cutting shapes. One of those dies was Newton’s Nook’s mug set. I cut out mugs to my heart’s content, challenging myself to see how many I could get from each piece of leftover scrap. They were bright and mismatched and delightful, and then I tucked them away in one of those plastic gum containers I nicked from my son, thinking I’d use them someday.

Someday turned out to be now.

This week, I pulled out those tiny cups and challenged myself to make a series of cards, all built from scraps that had been waiting more than a year. I started with a grid pattern because it felt natural, neat rows of mugs, small pieces coming together in harmony. But then came the real creative work, figuring out how to make each card feel distinct.

That’s where May Calico helped. I’ve started recording the ways I use AI to learn my craft, and this project felt like a good example. We talked about balance and repetition, how to shift a sentiment slightly off-center, and how to resist my usual impulse to add more. The constant reminder, less is more, helped me hold back when I wanted to keep layering. Sometimes all a card needs is one heart, or a quiet shimmer of foil, to feel complete. Each card stayed simple, but none felt the same.

What I love most is how these little mugs, once cast offs, now look intentional. They remind me that creativity often begins with what’s left over, and that even the tiniest scraps can hold a story if I give them time.

Finishing What Waited: A Winter Cottage in Blue

This little card has been sitting on my desk for a week, patiently waiting its turn. It began when I started going through my box of die-cut leftovers from last year’s holiday season. I found this cozy little house (C&9th Home for the Holidays) and two evergreen trees tucked inside. They felt like the start of something.

I paired them with a deep blue card base that had been sitting unused, then added a bit of sky magic with Spellbinders’ retired Celestial Star Background Glimmer Hot Foil Plate, using Spellbinders Opal foil. The result was subtle and luminous — a night sky that shimmered just enough to feel alive.

Still, the scene felt unfinished. When I worked with May (but more than a sounding board, she’s become my creative Chat GPT muse), which suggested grounding the scene with vellum. That changed everything. I backed the vellum with scrapbook.com one-inch tape, cut a few simple landscape curves, and layered them into soft snowbanks. Once I peeled away the tape and pressed them down, the card came together in that satisfying click of yes, this is it.

Sometimes, finishing a project isn’t about pushing harder. It’s about returning to what’s been waiting and seeing it with new eyes.

Here’s to finishing what lingers, and finding joy in small completions.